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oasis

Oasis (band)

Oasis are an English rock band that formed in Manchester in 1991. The group was formed by Liam Gallagher (vocals), Paul Arthurs (guitar), Paul McGuigan (bass) and Tony McCarroll (drums), who were soon joined by Liam's older brother Noel Gallagher (guitar and vocals). Oasis have sold over 50 million records worldwide,[1] have had eight UK number-one singles and have collected 15 NME Awards, 5 Brit Awards and 9 Q awards. The Gallagher brothers are the band's leading songwriters and the only continual members. The present lineup is completed by guitarist Gem Archer and bassist Andy Bell, as well as unofficial drummer Chris Sharrock.

The band initially gained prominence performing on the Manchester club circuit. They were signed to independent record label Creation Records and afterwards released their debut album Definitely Maybe in 1994. The following year, the band recorded (What's the Story) Morning Glory? (1995) with their new drummer Alan White, whilst rivaling with Britpop peers Blur in the charts. The Gallagher brothers were featured regularly in tabloid newspapers for their sibling rivalry and wild lifestyles, cultivating reputations both as bad boys and as a band of the people. At the height of their fame, Oasis released their third album, Be Here Now (1997). It became the fastest-selling album in UK chart history. The band suffered a notable decline in popularity in America and lost two long-time members Paul McGuigan and Paul Arthurs between recording and releasing Standing on the Shoulder of Giants (2000) and Heathen Chemistry (2002).

Their sixth album Don't Believe the Truth with Zak Starkey (2005), despite turbulent recording, became their best-selling and best-received album in a decade. The following year, the band released a compilation album entitled Stop the Clocks. In February 2007, Oasis received the BRIT Award for outstanding contribution to music. Dig Out Your Soul, the seventh studio album by the band, was released on 6 October 2008, with the lead single from that album, "The Shock of the Lightning", which was released on 29 September 2008. For the current tour the band have enlisted Chris Sharrock.

Contents



History

[edit] Formation and first years: 1991–1994

Oasis evolved from an earlier band called The Rain, comprised of Paul McGuigan (bass guitar), Paul "Bonehead" Arthurs (guitar), Tony McCarroll (drums) and Chris Hutton (vocals). Unsatisfied with Hutton, Arthurs auditioned acquaintance Liam Gallagher as a replacement. Liam suggested that the band name be changed to Oasis. This change was inspired by an Inspiral Carpets tour poster which hung in the Gallagher brother's bedroom. One of the venues the poster listed was the Oasis Leisure Centre in Swindon.[2] Oasis played its first live gig in August 1991 at the Boardwalk club in Manchester. Noel Gallagher, who was a roadie for Inspiral Carpets, went with the band to watch his younger brother's band play. Whilst Noel Gallagher and his friends did not think Oasis sounded particularly spectacular, he did begin to consider the possibility of using his brother's group as a possible outlet for a series of songs he'd been writing for several years. Noel approached the group about joining with the proviso that he would become the band's sole songwriter and leader, and that they would commit to an earnest pursuit of commercial success. "He had loads of stuff written," Arthurs recalled. "When he walked in, we were a band making a racket with four tunes. All of a sudden, there were loads of ideas."[3] Oasis under Noel Gallagher crafted a musical approach that relied on simplicity, with Arthurs and McGuigan restricted to playing barred chords and root bass notes, respectively; McCarroll playing basic rhythms, and the band's amplifiers turned up as to create distortion, Oasis created a sound "so devoid of finesse and complexity that it came out sounding pretty much unstoppable."[4]

After over a year of live shows, rehearsals and a recording of a proper demo (known as the Live Demonstration tape), the band's big break came in May 1993 when they were spotted by Creation Records co-owner Alan McGee. Oasis were invited to play a gig at King Tut's Wah Wah Hut club in Glasgow, Scotland, by a band called Sister Lovers, who shared their rehearsal rooms. Oasis, along with a group of friends, found the money to hire a van and make the six-hour journey to Glasgow. When they arrived, they were refused entry to the club as they were not on that night's set list, which reportedly caused the band to bully their way in (although both the band and Alan McGee have given contradicting statements about how they actually managed to get into the club on that night).[5] They were given the opening slot and impressed McGee, who was there to see 18 Wheeler, one of his own bands, that night. McGee was so impressed by what he saw he signed the band to Creation four days later.[6] Due to problems securing an American contract, Oasis ended up signing a worldwide contract with Sony, which in turn licensed Oasis to Creation in the UK.[7]

Music samples:

"Live Forever" (1994)

40 second sample of "Live Forever" from Definitely Maybe
Problems listening to the file? See media help.

"Champagne Supernova" (1995)

30 second sample of "Champagne Supernova" from (What's the Story) Morning Glory?
Problems listening to the file? See media help.

Following a limited white label release of the demo of their song "Columbia", their first single, "Supersonic", was released in April 1994, reaching number 31 in the charts.[8] The release was followed by "Shakermaker". This song would become the subject of a plagiarism suit, with Oasis paying $500,000 in damages. Their third single, "Live Forever", was their first to enter the Top 10 of the UK charts. After troubled recording and mixing sessions, their debut album, Definitely Maybe, was released in September 1994, entering the charts at number one, and at the time becoming the fastest selling debut album in the UK.[9]

The best part of a year of constant live performances and recordings, along with a hedonistic lifestyle, were taking their toll on the band. This behaviour culminated during a gig in Los Angeles in September 1994 where Liam was under the influence of crystal meth, leading to an inept performance during which he made offensive remarks about American audiences and assaulted Noel with a tambourine. This upset Noel to such an extent that he temporarily quit the band immediately after and flew to San Francisco (it was from this incident that the song "Talk Tonight" was written). He was tracked down by Creation's Tim Abbot and they made a trip to Las Vegas. Once there, Gallagher was persuaded to continue with the band. He reconciled with his brother and the tour resumed in Minneapolis.[10] The group followed up the fourth single from Definitely Maybe, "Cigarettes and Alcohol", with the Christmas single EP "Whatever" which entered the British charts at number three.[11] This song would later carry a co-writer's credit for Neil Innes, who sued and also won damages.

] The Battle of the Britpop and height of fame: 1995–1998

Oasis had their first UK number one in April 1995 with "Some Might Say", the first single from their second album. At the same time, drummer Tony McCarroll was ousted from the band. McCarroll said, on leaving Oasis, that he was “unlawfully expelled from the partnership” for what he called a “personality clash” with the brothers. The Gallaghers, on the other hand, doubted McCarroll’s musical ability, with Noel saying: “I like Tony as a geezer but he wouldn't have been able to drum the new songs”.[12][13] McCarroll was replaced by Londoner Alan White, formerly of Starclub and younger brother of renowned studio percussionist Steve White, whom Paul Weller recommended to Noel. White made his debut for the band at a Top of the Pops performance of "Some Might Say". Oasis began recording material for their second album in May of that year in Rockfield Studios near Monmouth.[14]

During this period, the English press seized upon a supposed rivalry between Oasis and fellow Britpop band Blur. On 14 August 1995, Blur and Oasis released new singles on the same day, setting up "The Battle of Britpop" that dominated the national news. Blur's "Country House" outsold Oasis' "Roll with It" 274,000 copies to 216,000 during the week.[15] Oasis' management came up with several reasons for this, claiming "Country House" sold more because it was less expensive (£1.99 vs £3.99) and because there were two different versions of "Country House" with different B-sides forcing serious fans to buy two copies.[16] An alternative explanation given at the time by Creation was that there were problems associated with the barcode on the "Roll With It" single case, which did not record all sales.[17] Noel Gallagher told The Observer in September that he hoped Damon Albarn and Alex James of Blur would "catch AIDS and die", which caused a media furore.[18] He subsequently apologised for this in a formal letter to various publications.[19]

Bassist Paul McGuigan briefly left the band in September 1995, citing nervous exhaustion. He was replaced by Scott McLeod, formerly of The Ya-Yas, who featured on some of the tour dates as well as in the "Wonderwall" video before leaving abruptly while on tour in the USA. McLeod later contacted Noel Gallagher claiming he felt he had made the wrong decision. Gallagher curtly replied "I think you have too. Good luck signing on".[20] In order to complete the tour, McGuigan was successfully convinced to return to the band.

Although a softer sound led to mixed reviews, Oasis' second album, (What's the Story) Morning Glory? was a commercial success, becoming the third largest selling album of all time in the UK with over four million copies sold.[21] The album spawned two further hit singles "Wonderwall" and "Don't Look Back in Anger", which also reached numbers two and one respectively. It also contained the non-UK single "Champagne Supernova"—featuring guitar playing and backing vocals by Paul Weller—that received widespread critical acclaim and peaked at number 1 on the US modern rock charts. The group played their first headline outdoor concerts at Maine Road Football Ground, Manchester on 27 April and 28 April. Highlights from the second night featured on the video There And Then, released later the same year. As their career reached its zenith, Oasis performed back-to-back concerts at Knebworth on 10 August and 11 August 1996. The band sold out both shows within minutes; 250,000 people over two nights (2.5 million people applied for tickets, and 375,000 were actually sold, meaning the possibility of 53 sold out nights),[22] at the time a record-breaking number for an outdoor concert held in the UK, and to this today the largest demand for a show in British history.[23]

The next month proved to be difficult for the group. In August, Oasis was due to record an episode of MTV Unplugged at the Royal Festival Hall but Liam pulled out, citing a sore throat. He watched the performance from a balcony with cold beer and cigarettes, heckling Noel's singing between songs. Four days later the group left for a tour of American arenas but Liam refused to go; the band decided to continue the tour with Noel on vocals.[24] Liam rejoined the tour on 30 August, but a few weeks later Noel flew home without the band, who followed on another flight.[25] This event prompted media speculation that the group was splitting up. The brothers soon reconciled and decided to complete the tour.[26]

Music sample:

"D'You Know What I Mean"

Problems listening to the file? See media help.

Oasis spent the end of 1996 and the first quarter of 1997 at Abbey Road Studios in London and Ridge Farm Studios in Surrey recording their third album. Be Here Now was released in August 1997. Preceded by the UK number one single "D'You Know What I Mean?", the album was perhaps their most anticipated effort, and as such became the subject of considerable media attention. By the end of the first day of release, Be Here Now sold over 350,000 units and by the end of business on Saturday of that week sales had reached 696,000, making it the fastest-selling album in British history.[27] The album debuted at number two on the Billboard charts in the United States, but its first week sales of 152,000—below expected sales of 400,000 copies—were considered a disappointment.[28] Although early media reviews were positive, once the hype had died down, the album was criticised for being bloated and derivative with most of the critics focused on the extensive length of several songs, the heavier sound, and overproduction.

The Britpop movement was over and the band failed to meet expectations with Be Here Now. After the conclusion of the disastrous Be Here Now tour, amidst huge media criticism the group decided to stay clear of each other and kept a low profile throughout 1998. That year Oasis released The Masterplan, a compilation album of 14 B-sides, released in November. "The really interesting stuff from around that period is the B-sides. There’s a lot more inspired music on the B-sides than there is on Be Here Now itself, I think", related Noel in an interview in 2008.[29]

[edit] Lineup changes and fall in popularity: 1999–2000

In early 1999, the band began work on their fourth studio album. First details were announced in February with Mark "Spike" Stent revealed to be taking a co-producing role. Things were not going well and the shock departure of founding member Paul "Bonehead" Arthurs was announced in August. This departure was reported at the time as amicable, with Noel stating that Arthurs wanted to spend more time with his family. Arthurs' statement clarified his leaving as "to concentrate on other things".[30] However, Noel has since offered a contradicting version: that a series of violations of Noel's "no drink or drugs" policy (imposed by Noel so that Liam could sing properly) for the album's sessions resulted in a confrontation between the two.[31] Two weeks later the departure of bassist Paul McGuigan was announced. The Gallagher brothers held a press conference shortly thereafter where they assured reporters that "the future of Oasis is secure. The story and the glory will go on."[32]

Guitarist Gem Archer performing at an Oasis concert.
Guitarist Gem Archer performing at an Oasis concert.

The now three-piece Oasis chose to continue recording the album, with Noel Gallagher re-recording most of Arthurs' guitar and McGuigan's bass parts. After the completion of the recording sessions, the band began searching for replacement members. The first new member to be announced was new lead/rhythm guitarist Colin "Gem" Archer, formerly of Heavy Stereo, who later claimed to have been approached by Noel Gallagher only a couple of days after Arthurs' departure was publicly announced.[33] The band was rehearsing with David Potts, but he quickly resigned, and they brought in Andy Bell, former guitarist/songwriter of Ride and Hurricane #1 as their new bassist. Bell had never played bass before and had to learn to play it, along with a handful of songs from Oasis' back catalogue, in preparation for a scheduled tour of America in December 1999.

With the folding of Creation Records, Oasis formed their own label, Big Brother, which released all of Oasis' subsequent records in the UK and Ireland. Oasis' fourth album, Standing on the Shoulder of Giants, was released in February 2000 to good first-week sales. It peaked at number one on the British charts and number 24 on the Billboard charts.[34][35] Three singles were released from the album: "Go Let It Out", "Who Feels Love?" and "Sunday Morning Call", all of which were top 5 UK singles.[36] With the departure of the founding members, the band made several small changes to their image and sound. The cover featured a new "Oasis" logo, designed by Gem Archer, and the album was also the first Oasis release to include a song written by Liam Gallagher, entitled "Little James". The songs also had more experimental, psychedelic influences.[37] The album received only lukewarm reviews[37] and, as of now, Standing is the band's lowest selling studio album.

To support the record the band staged an eventful world tour. While touring in Barcelona in 2000, Oasis were forced to cancel a gig when Alan White's arm seized up, and the band spent the night drinking instead. Liam made a derogatory comment about Noel's then-wife Meg Mathews, and attempted to cast doubt over the legitimacy of Noel's daughter Anais, causing a scuffle. Following this, Noel declared he was quitting touring overseas altogether, and Oasis were supposed to finish the tour without him.[38] Noel eventually returned for the Irish and British legs of the tour, which included two major shows at Wembley Stadium. A live album of the first show, called Familiar to Millions, was released in late 2000 to mixed reviews.[39]

] Transitional years: 2001–2004

Throughout 2001, Oasis split time between sessions for their fifth studio album and live shows around the world. Some gigs included the month-long Tour of Brotherly Love with The Black Crowes and Spacehog and a show in Paris supporting Neil Young. The album, Heathen Chemistry, Oasis' first album with new members Andy Bell and Gem Archer, was released in July 2002. The album reached number one in the UK and number 23 in US,[40][41] although critics gave it mixed reviews.[42][43] There were four singles released from the album: "The Hindu Times", "Stop Crying Your Heart Out", "Little by Little/She Is Love", and the Liam-penned "Songbird", Oasis' first single not written by Noel. The record blended the band's sonic experiments from their last albums, but also went for a more basic rock sound.[42] Heathen Chemistry was a much more balanced recording process for the band, with all of the members, apart from White, penning songs. Johnny Marr provided additional guitar as well as backup vocals on a couple of songs.

After the album's release, the band embarked on a successful world tour that was once again filled with incidents. In late summer 2002, whilst the band was on tour in the US, Noel, Bell and touring keyboardist Jay Darlington were involved in a car accident in Indianapolis. While none of the band members sustained any major injuries, some shows were cancelled as a result. In December 2002, the latter half of the German leg of the band's European tour had to be postponed after Liam Gallagher, Alan White and three other members of the band's entourage were arrested after a violent brawl at a Munich nightclub. The band had been drinking heavily and tests showed that Liam had used cocaine.[44] Liam lost two front teeth and kicked a police officer in the ribs, while Alan suffered minor head injuries after getting hit with an ashtray.[45] Two years later Liam was fined around £40,000.[46] The band finished their tour in April 2003 after returning to those postponed dates.

Oasis began recording a sixth album in late December 2003 with producers Death in Vegas at Sawmills Studios in Cornwall. The album was originally planned for a September 2004 release to coincide with the 10th anniversary of the release of Definitely Maybe. However, long-time drummer Alan White, who at this time had played on nearly all of the band's material, left the band in early January 2004. At the time, his brother Steve White stated on his own website that "the spirit of being in a band was kicked out of him" and he wanted to be with his current girlfriend.[47] White was replaced by Zak Starkey, drummer of The Who and the son of Beatles' Ringo Starr. Though Starkey performed on studio recordings and toured with the band, he was not officially a member and the band is a four-piece for the first time in their career. Starkey played publicly for the first time at Poole Lighthouse.

A few days later, Oasis, with Starkey, headlined the Glastonbury Festival for the second time in their career and performed a greatest hits set, which included two new songs — Gem Archer's "A Bell Will Ring" and Liam Gallagher's "The Meaning of Soul". The performance received negative reviews, with NME calling it a "disaster."[48] The BBC's Tom Bishop called Oasis' set "lacklustre and uneventful... prompting a mixed reception from fans", mainly because of Liam's uninspired singing and Starkey's lack of experience with the band's material.[49]

Resurgence in popularity: 2005–present

After much turbulence, the band's sixth album was finally recorded in Los Angeles-based Capitol Studios from October to December the same year. Producer Dave Sardy took over the lead producing role from Noel,[50] who decided to step back from these duties after a decade of producing leadership over the band. In May 2005, after three years and as many scrapped recording sessions, the band released their sixth studio album, Don't Believe the Truth, fulfilling their contract with Sony BMG. It followed the path of Heathen Chemistry as being a collaborative project again, rather than a Noel-written album.[51] The album was the first in a decade not to feature drumming by Alan White, marking the recording debut of Zak Starkey. The record was generally hailed as the band's best effort since Morning Glory by fans and critics alike, spawning two UK number one singles: "Lyla" and "The Importance of Being Idle", whilst "Let There Be Love" entered at number two. Oasis picked up two awards at the Q Awards: one a special People's Choice Award and the second for Don't Believe the Truth as Best Album.[52] Following in the footsteps of Oasis' previous five albums, Don't Believe the Truth also entered the UK album charts at number one.

Noel Gallagher performing in concert in America in September 2005.
Noel Gallagher performing in concert in America in September 2005.

In May 2005, the band's new line-up embarked on a large scale world tour. Beginning on 10 May 2005 at the London Astoria, and finishing on 31 March 2006 in front of a sold out gig in Mexico City, Oasis played more live shows than at any time since the Definitely Maybe tour, visiting 26 countries and headlining 110 shows. The tour passed without any major incidents and was the band's most successful in more than a decade. The tour included sold out shows at New York's Madison Square Garden and LA's Hollywood Bowl.[53] A rockumentary film made during the tour, entitled Lord Don't Slow Me Down was released in October 2007. A second DVD included live footage from an Oasis gig in Manchester from 2 July 2005.

Oasis released a compilation double album entitled Stop the Clocks in 2006; this featured what the band considers to be their "definitive" songs. Though the band didn't want to release a compilation, their contract with Sony Music had just expired, forcing a release against the band's wishes. So, the band chose to be involved, "otherwise it would be shit" as Noel said later in an interview.[54] During November 2006, Noel and Gem, backed by drummer Terry Kirkbride, began a short tour to promote Stop the Clocks. They played around a dozen shows in various countries around the world.

The band received the BRIT Award for outstanding contribution to music in February 2007, playing several of their most famous songs afterwards. Oasis released their first ever digital-only release, "Lord Don't Slow Me Down", in October 2007. The song debuted at number 10 in the U.K singles charts.[55]

The band's resurgence in popularity since the success of Don't Believe The Truth was highlighted in February 2008 when, in a poll to find the 50 greatest British albums of the last 50 years conducted by Q Magazine and HMV, two Oasis albums were voted first and second (Definitely Maybe and (What's The Story) Morning Glory? respectively). Two other albums by the band appeared in the list - Don't Believe The Truth came in at no.14, and the album that has previously been heavily criticized by some of the media, Be Here Now made the list at No.22.

In May 2008, Zak Starkey left the band after recording the band's seventh studio album and becoming full-fledged member during the sessions. He was replaced by former Robbie Williams drummer Chris Sharrock on their tour.

In June 2008, the band resigned with Sony BMG for a three-album deal.[56] The band's seventh studio album titled Dig Out Your Soul, produced by Dave Sardy, was released on 6 October 2008. The first single from the record is "The Shock of the Lightning" written by Noel Gallagher, which was released on 29 September 2008.[57] Oasis recorded for a couple of months in 2007 between July and September with completing work on two new songs and demoing the rest. They took a two-month break, because of the birth of Noel's son. The band re-entered the studio on 5 November 2007 and finished recording around March 2008.[58] The band's again-new lineup started touring for a projected 18-month long tour. Noel Gallagher has stated that after the tour, he'd "like [them] to go off and do [their] own projects", adding "it would be interesting to see what comes out. See how the four parts make up the whole."[59]

[edit] Musical style and influences

Oasis are most heavily influenced by The Beatles. This influence is frequently labelled as an "obsession" by the British media.[60][61][62]

Musically and lyrically, they have also cited bands such as The Who, The Kinks, Sex Pistols, The Smiths, Neil Young, The Stooges, The Stone Roses and The Rolling Stones as their major influences.

Several bands have cited Oasis as an influence or inspiration, including Arctic Monkeys,[63] The Killers,[64] The Coral,[65] and Kasabian, whose singer Tom Meighan is a close friend to Noel. No Way Sis were a cover band from Glasgow who had a top 40 hit in the UK with "I'd Like To Teach the World To Sing" a cover of the New Seekers song sung in the manner of Oasis.[66] The Japanese band little by little derived their name from the Oasis song of the same name.[67] Other, 'direct' influences have led to court cases; Neil Innes sued after the song, Whatever, borrowed from his 'How Sweet to Be an Idiot'. He was awarded royalties and a co-writer credit.

Oasis were also sued for $500,000 by the New Seekers after the song Shakermaker took its melody from 'I'd Like to Teach the World to Sing'.

Discography

Main article: Oasis discography

[edit] Members

Current members

*Noel Gallagher has stated that he, Archer and Bell all play both lead guitar and bass guitar in the studio, though mainly on their own individual compositions.[citation needed]

Past members

Live and temporary members

  • Jay Darlington – keyboards, hammond organ - live (2002–present, appears on Lord Don't Slow Me Down)
  • Mike Rowe - keyboards, hammond organ - live and studio (1994-2002, appears on MTV Unplugged)
  • Terence Kirkbride – drums and percussion (2004, 2006, 2007)
  • Matt Deighton - guitar (2000)
  • Steve White – drums and percussion (2001)
  • Scott McLeod – bass guitar (1995, appears in video for Wonderwall)
  • Mark Coyle - live effects technician (1994-1995)
  • Zeb Jameson – keyboards (2000, for Standing On The Shoulder Of Giants tour, appears on Familiar to Millions)

Awards

Main article: List of Oasis awards

References

  • Cohen, Jason (1995-05-18). "The Trouble Boys - Cross the Atlantic With a Hot Record, Two Battling Brothers and Attitude to Spare", Rolling Stone, pp. 50-52. 104.
  • Harris, John. Britpop!: Cool Britannia and the Spectacular Demise of English Rock. Da Capo Press, 2004. ISBN 0-306-81367-X
  • Mundy, Chris (1996-05-02). "Ruling Asses - Oasis have conquered America, and they won't shut up about it", Rolling Stone, pp. 32-35, 68


Del piero

Name: Alessandro Del Piero
Born: Conegliano, Italy
Nationality: Italy
Position: Attacking Midfielder/Forward Left
DOB: 9/11/1974
Current Club: Juventus

Del Piero was signed by Juventus having initially been turned down by Milan. In his first full start for Juventus he scored a hat-trick against Parma. The following season he established himself in the first team in attack alongside Gianluca Vialli and Fabrizio Ravanelli in Juventus' Championship winning side.

So impressive was his performances Juventus sold fan favourite Roberto Baggio to Milan, Juve had found his successor.

Del Piero played a bit part in Juventus' European Cup final triumph and gave mixed performances as Juventus made and lost two successive finals. The European Cup final aside Del Piero was outstanding in the 1997-1998 season. He formed a devastating partnership alongside Filippo Inzaghi and scored a career best 21 goals. Any doubts as to how important Del Piero was to Juventus (many claimed Zidane was their key player) were answered the following season. Del Piero missed five months with a knee injury, Juve sunk without trace from first place to sixth.

The Euro 2000 final will haunt Del Piero for the rest of his life. With Italy leading France 1-0 Del Piero missed two guilt edge chances to make the game safe. France equalised deep into injury time before Trezeguet, who would ironically had already agreed to join Juventus that summer, scored the winner.

Despite continued domestic success Del Piero was disappointing for Italy in their ill fated and somewhat embarrassing 2002 World Cup campaign and also gave another insipid performance as Juve suffered the ignominy of losing a third successive European Cup final.

A tremendously gifted player renowned for scoring spectacular goals and his dead ball delivery.

Career History:

1993Juventus
£1.3m
1991Padova


Honours

1995
Italian Cup (Coppa Italia)
Serie A Title
Italian Supercup

1996
UEFA Champions League
Intercontinental Cup
European Supercup
U-21 European Footballer of the Year

1997
Serie A Title
Italian Supercup
Intercontinental Cup MVP
UCL Top Scorer

1998
Serie A Title
UCL Top Scorer

2002
Serie A Title
Italian Supercup

2003
Serie A Title
Italian Supercup

2005
Serie A
Lees dit in Nederlands Italiano

Nirvana

Nirvana was an American rock band that was formed by singer/guitarist Kurt Cobain and bassist Krist Novoselic in Aberdeen, Washington. Nirvana went through a succession of drummers, the longest-lasting being Dave Grohl, who joined the band in 1990.

With the lead single "Smells Like Teen Spirit" from the group's second album Nevermind (1991), Nirvana entered into the mainstream, bringing along with it a subgenre of alternative rock called grunge. Other Seattle grunge bands such as Alice in Chains, Pearl Jam, and Soundgarden also gained popularity, and, as a result, alternative rock became a dominant genre on radio and music television in the United States during the early-to-middle 1990s. As Nirvana's frontman, Kurt Cobain found himself referred to in the media as the "spokesman of a generation", with Nirvana the "flagship band" of "Generation X".[1] Cobain was uncomfortable with the attention and placed his focus on the band's music, challenging the band's audience with its third studio album In Utero (1993).

Nirvana's brief run ended with Cobain's death in April 1994, but the band's popularity continued in the years that followed. In 2002, "You Know You're Right", an unfinished demo from the band's final recording session, topped radio playlists around the world. Since their debut, the band has sold over twenty five million albums in the US alone[2], and over fifty million albums worldwide.[3] Nirvana are often credited as being one of the most popular and important rock bands of recent years.[4]

Contents

[hide]

istory

Early years

Nirvana in 1989. Front to back: Cobain, Everman, Channing, Novoselic.
Nirvana in 1989. Front to back: Cobain, Everman, Channing, Novoselic.

Cobain and Novoselic met in 1985. Both were fans of the Melvins, and frequented the band's practice space. After a couple of false starts at forming their own band, the duo recruited drummer Aaron Burckhard, creating the first incarnation of what would eventually become Nirvana. Cobain later described the sound of the band when they first started as "a Gang of Four and Scratch Acid ripoff."[5] Within a few months, Burckhard was fired from the band. He was temporarily replaced by Dale Crover of the Melvins, who played on the band's first demos. Dave Foster then began a brief tenure as the band's drummer.

During its initial months, the band went through a series of names, including Skid Row, Pen Cap Chew, and Ted Ed Fred. The band finally settled on Nirvana in early 1988, which Cobain said was chosen because "I wanted a name that was kind of beautiful or nice and pretty instead of a mean, raunchy punk rock name like the Angry Samoans. "[6] Nirvana played their first show under the name that March. A couple of months later, the band finally settled on a drummer, Chad Channing.

Nirvana's first release was the single "Love Buzz/Big Cheese" in 1988 on Seattle independent record label Sub Pop. The following year, the band released its first album, Bleach. To record Bleach, the band turned to noted local producer Jack Endino, who had recorded the band's first studio demos. Bleach was highly influenced by the Melvins, by the heavy dirge-rock of Mudhoney, 1980s punk rock, the Pixies, and by the 1970s rock of Black Sabbath and Led Zeppelin. Novoselic noted in a 2001 interview with Rolling Stone that the band had played a tape in their van while on tour that had an album by The Smithereens on one side and an album by the black metal band Celtic Frost on the other, and noted that the combination probably played an influence as well.[7] Bleach became a favorite of college radio stations nationally, but gave few hints of where the band would find itself two years later.

The money for the recording sessions for Bleach, listed as $606.17 on the album sleeve, was supplied by Jason Everman. Everman was introduced to Cobain by Dylan Carlson, but had known Channing since the fifth grade. Everman began hanging out with the band, and offered to lend the money to them for the recording.[8] Though Everman did not actually play on the album, he was credited for playing guitar on Bleach because, according to Novoselic, they "wanted to make him feel more at home in the band."[9] After the album was completed, Everman had a brief and contentious stay with the band as a second guitar player, but was fired following their first US tour.

In a late 1989 interview, Cobain noted that the band's music was changing. He said, "The early songs were really angry ... But as time goes on the songs are getting poppier and poppier as I get happier and happier. The songs are now about conflicts in relationships, emotional things with other human beings."[10] In April 1990, the band began working with producer Butch Vig at Smart Studios in Madison, Wisconsin on recordings for the follow-up to Bleach.[11] During the sessions, Kurt and Krist became disenchanted with Channing's drumming, and Channing expressed frustration at not being actively involved in songwriting.[12] Not long after the sessions were complete, Channing was gone from the band. After a few weeks with Dale Crover of the Melvins filling in, Nirvana hired Mudhoney drummer Dan Peters, with whom they recorded the song "Sliver". A few weeks later, Buzz Osborne of the Melvins introduced them to Dave Grohl, who was looking for a new band following the sudden break-up of D.C. hardcore punks Scream.[13] A few days after arriving in Seattle, Novoselic and Cobain auditioned Grohl, with Novoselic later stating, "We knew in two minutes that he was the right drummer."[14]

Breakthrough success

Music sample:

"Smells Like Teen Spirit"

Sample of "Smells Like Teen Spirit," the first single from the band's breakthrough release Nevermind (1991). The song was a worldwide hit, and its "quiet verses with wobbly, chorused guitar, followed by big, loud hardcore-inspired choruses" became a much-emulated template in alternative rock.[15]
Problems listening to the file? See media help.

Disenchanted with Sub Pop and with the Smart Studios sessions generating interest, Nirvana decided to look for a deal with a major record label.[16] Following repeated recommendations by Sonic Youth's Kim Gordon, Nirvana signed to DGC Records in 1990.[17] The band subsequently began recording its first major label album, Nevermind. They were offered a number of producers to choose from, but ultimately held out for Butch Vig.[18] Rather than recording at Vig's Madison studio as they had in 1990, they shifted to Sound City Studios in Van Nuys, Los Angeles, California. For two months, the band worked through a variety of songs in their catalog. Some of the songs, including "In Bloom" and "Breed", had been in the band's repertoire for years, while others, including "On a Plain" and "Stay Away", lacked finished lyrics until mid-way through the recording process.[19] After the recording sessions were completed, Vig and the band set out to mix the album. However, the recording sessions had run behind schedule and the resulting mixes were deemed unsatisfactory. Slayer mixer Andy Wallace was brought in to create the final mix. After the album's release members of Nirvana expressed dissatisfaction with the polished sound the mixer had given Nevermind.[20]

Initially, DGC Records was hoping to sell 250,000 copies of Nevermind, which was the same level they had achieved with Sonic Youth's Goo.[21] However, the album's first single "Smells Like Teen Spirit" quickly gained momentum, thanks in part to significant airplay of the song's music video on MTV. As they toured Europe during late 1991, the band found that the shows were dangerously oversold, that television crews were becoming a constant presence onstage, and that "Smells Like Teen Spirit" was almost omnipresent on radio and music television.[22] By Christmas 1991, Nevermind was selling 400,000 copies a week in the US.[23] On January 11, 1992, the album reached number one on the Billboard album charts, replacing Michael Jackson's album Dangerous.[24] The album also topped the charts in numerous countries worldwide.[25] The month Nevermind reached number one, Billboard proclaimed, "Nirvana is that rare band that has everything: critical acclaim, industry respect, pop radio appeal, and a rock-solid college/alternative base."[26]

In February 1992, following the band's Pacific Rim tour, Cobain married Hole frontwoman Courtney Love in Hawaii. Love gave birth to a daughter, Frances Bean Cobain, the following August. Citing exhaustion, the band decided not to undertake another U.S. tour in support of Nevermind, instead opting to make only a handful of performances later that year.[27] Just days after Frances Bean's birth, Nirvana performed one of its best-known concerts, headlining at the Reading Festival in England. Amid rumors about Cobain's health and the possibility the band might break up, Cobain entered the stage in a wheelchair as a practical joke, then proceeded to get up and join the rest of the band in tearing through an assortment of old and new material.[28] Dave Grohl related in 2005 on the radio program Loveline[29] that the band was genuinely concerned beforehand that the show would be a complete disaster, given all that had happened in the months leading up to the show. Instead, the performance ended up being one of the most memorable of their career.

Cobain and Novoselic at the 1992 MTV Video Music Awards.
Cobain and Novoselic at the 1992 MTV Video Music Awards.

Less than two weeks later, Nirvana performed at the MTV Video Music Awards. During the first rehearsal for the show, Cobain announced that they were going to play a new song during the broadcast, and the band rehearsed "Rape Me". MTV's executives were appalled by the song, and, according to show producer Amy Finnerty, the executives believed that the song was about them. They insisted that the band could not play "Rape Me", even threatening to throw Nirvana off the show and stop airing their videos entirely. After a series of intense discussions, MTV and Nirvana agreed that the band would play "Lithium", their latest single.[30] When the band began their performance, Cobain strummed and sang the first few bars of "Rape Me", one last jab at MTV's executives, before breaking into "Lithium". Near the end of the song, frustrated that his amp had stopped functioning, Novoselic decided to toss his bass into the air for dramatic effect. He misjudged the landing, and the bass ended up bouncing off his forehead, causing him to stumble off the stage in a daze. As Cobain trashed their equipment, Grohl ran to the mic and began yelling "Hi, Axl!" repeatedly, referring to Guns N' Roses singer Axl Rose, with whom the band and Courtney had had a bizarre encounter before the show.[31]

Nirvana released Incesticide, a collection of rarities and B-sides, in December 1992. Many of Nirvana's radio sessions and unreleased early recordings were starting to circulate via trading circles and illegal bootlegs, so the album served to circumvent the bootleggers.[32] The album contained songs from previously released singles and EPs, including "Sliver" and "Dive", as well as material from the band's sessions for the BBC, including "Been a Son", "Aneurysm", and covers of songs by The Vaselines and Devo.

In Utero


For 1993's In Utero, the band brought in producer Steve Albini, well-known for his work on the Pixies album Surfer Rosa. As Nevermind had brought in a new audience of listeners who had little or no experience with the alternative, obscure, or experimental bands Nirvana saw as their forebears, bringing in Albini appeared to be a deliberate move on Nirvana's part to give the album a raw, less-polished sound. For example, one song on In Utero featuring long periods of shrill feedback noise was titled, ironically, "Radio Friendly Unit Shifter" (in the industry, a "radio-friendly unit shifter" describes an "ideal" album: one capable of heavy radio play and ultimately selling many copies, or "units"). However, Cobain insisted that Albini's sound was simply the one he had always wanted Nirvana to have: a "natural" recording without layers of studio trickery.[33] The sessions with Albini were productive and notably quick, and the album was recorded and mixed in two weeks for a cost of $25,000 at Pachyderm Studios in Cannon Falls, Minnesota.[34]

Several weeks after the completion of the recording sessions, stories ran in the Chicago Tribune and Newsweek that quoted sources claiming DGC considered the album "unreleasable."[35] As a result, fans began to believe that the band's creative vision might be compromised by their label.[36] While the stories about DGC shelving the album were untrue, the band actually was unhappy with certain aspects of Albini's mixes. Specifically, they thought the bass levels were too low,[37] and Cobain felt that "Heart-Shaped Box" and "All Apologies" did not sound "perfect".[38] Longtime R.E.M. producer Scott Litt was called in to help remix those two songs, with Cobain adding additional instrumentation and backing vocals.[39]

In Utero debuted at number one on the Billboard 200 album chart in September 1993.[40] Time's Christopher John Farley wrote in his review of the album, "Despite the fears of some alternative-music fans, Nirvana hasn't gone mainstream, though this potent new album may once again force the mainstream to go Nirvana."[41] However, the album did not achieve the same success as Nevermind. That fall, Nirvana embarked on a US tour, its first major tour of the States since the success of "Smells Like Teen Spirit". For the tour, the band added Pat Smear of the punk rock band The Germs as a second guitarist.

Final months and Cobain's death

In November 1993, Nirvana performed for MTV Unplugged. The band opted to stay away from their most recognizable songs, playing only one of their hits, "Come as You Are". Grohl later related, "We knew we didn't want to do an acoustic version of Teen Spirit. ... That would've been horrendously stupid."[42] The setlist also included a few relatively obscure covers, with members of the Meat Puppets joining the band for covers of three of their songs. While rehearsals for the show had been problematic, MTV Unplugged producer Alex Coletti noted that the actual taping went exceedingly well, with every song performed in one take and with the complete set lasting under an hour, which were both unusual for Unplugged sessions. Following the band's set-ending performance of Lead Belly's "Where Did You Sleep Last Night", Coletti tried to convince the band to perform an encore. "Kurt said, 'I can't top that last song.' And when he said that, I backed off. 'Cause I knew he was right."[42] The band's performance debuted on MTV on December 14, 1993.

In early 1994, the band embarked on a European tour. Following a tour stop at Terminal Eins in Munich, Germany, on March 1, Cobain was diagnosed with bronchitis and severe laryngitis.[43] The next night's show, at the same venue, was canceled. In Rome, on the morning of March 4, Love found Cobain unconscious in their hotel room and he was rushed to the hospital. A doctor from the hospital told a press conference that Cobain had reacted to a combination of prescription Rohypnol and alcohol. The rest of the tour was canceled, including a planned leg in the UK.[44]

In the ensuing weeks, Cobain's heroin addiction resurfaced. An intervention was organized, and Cobain was convinced to admit himself into drug rehabilitation. After less than a week in rehabilitation, Cobain climbed over the wall of the facility and took a plane back to Seattle. A week later, on Friday, April 8, 1994, Cobain was found dead of an apparently self-inflicted shotgun wound to the head at his Seattle home, effectively dissolving Nirvana.[45]

Posthumous releases

Several Nirvana albums have been released since Cobain's death. The first came in November 1994 with the release of the band's performance for MTV Unplugged, MTV Unplugged in New York. Two weeks after the release of Unplugged in New York, a video compilation of Nirvana performances, titled Live! Tonight! Sold Out!!, was released. Cobain himself had compiled a significant part of the video, which documented much of the Nevermind tour. The original intention was to release the MTV Unplugged set in a double-disc package, along with a second disc of live electric material to balance the acoustic set. However, for the two surviving band members, sorting through Nirvana recordings so soon after Cobain's passing became too emotionally overwhelming.[46] The live disc, a compilation of Nirvana concert recordings, finally saw release in October 1996, titled From the Muddy Banks of the Wishkah.

In August 1997, online music news website Wall of Sound reported that Grohl and Novoselic were organizing a box set of Nirvana rarities.[47] Four years later, the band's label announced that the box set was complete and would see release in September to coincide with the 10th anniversary of the release of Nevermind. However, shortly before the release date, Love filed an injunction to stop the box set's release and sued Grohl and Novoselic, claiming that Cobain's former band mates were hijacking Nirvana's legacy for their own personal interests. What followed was a protracted legal battle over the ownership of Nirvana's music that lasted for more than a year.[48]

Much of the legal wrangling centered on a single unreleased song, "You Know You're Right", the band's final studio recording. Grohl and Novoselic wanted to include the song on the box set, essentially releasing all of the rarities at one time. Love, however, argued that the song was more important than just a generic "rarity", and should be included on a single-disc greatest hits compilation. After more than a year of often public and sometimes bizarre legal maneuvering, the parties settled, agreeing on the immediate release of the greatest hits package including "You Know You're Right", titled simply Nirvana. In turn, Love agreed to donate cassette demos recorded by Cobain for use on the box set.

The compilation album, Nirvana, was released on October 29, 2002. On top of "You Know You're Right", the album contained hit singles from their three studio albums as well as several alternate mixes and recordings of familiar Nirvana songs. The box set, With the Lights Out, was finally released in November 2004. The release contained a vast array of early Cobain demos, rough rehearsal recordings, and live tracks recorded throughout the band's history. A best-of-the-box compilation titled Sliver: The Best of the Box was released in late 2005. The CD compiled nineteen tracks from the box set plus three previously unreleased tracks, including a version of the song "Spank Thru" from the 1985 Fecal Matter demo tape. In a 2002 interview with Jim DeRogatis, Love described the countless rehearsal tapes, demos, and bedroom recordings that were left behind after Cobain's death.[49]

In April 2006, Love announced that she had arranged to sell twenty-five percent of her stake in the Nirvana song catalog in a deal estimated at $50 million. The share of Nirvana's publishing was purchased by Primary Wave Music, which was founded by Larry Mestel, a former CEO of Virgin Records. In an accompanying statement, Love sought to assure Nirvana's fanbase that the music would not simply be licensed to the highest bidder, noting, "We are going to remain very tasteful and true to the spirit of Nirvana while taking the music to places it has never been before."[50]

Further releases have since been made. This includes releasing Live! Tonight! Sold Out!! on DVD in 2006. well as releasing MTV Unplugged in New York on DVD, a full uncut version, which was released in 2007.

Post-Nirvana

In the years following Nirvana's disbanding, both surviving members remained musically active. Not long after Cobain's death, Grohl recorded a series of demos that eventually became the debut album for Foo Fighters. Foo Fighters became Grohl's main project, releasing several commercially successful records over the next decade. Foo Fighters' 2005 album In Your Honor featured a song called "Friend of a Friend", which Grohl wrote in 1990 about his first encounters with Cobain and Novoselic.

Beyond Foo Fighters, Grohl also drummed for numerous bands, including Tom Petty and the Heartbreakers, Mike Watt, Queens of the Stone Age, Tenacious D, and Nine Inch Nails. He also recorded an album of metal songs featuring many of his favorite early-80s metal singers under the name Probot.

After the end of Nirvana, Novoselic formed Sweet 75.[51] Later, he founded Eyes Adrift with Curt Kirkwood (formerly of the Meat Puppets) and Bud Gaugh (formerly of Sublime). He also performed in a one-off band called the No WTO Combo with Kim Thayil of Soundgarden and Jello Biafra of the Dead Kennedys that coincided with the WTO Meeting of 1999. In December 2006, Novoselic replaced bass player Bruno DeSmartas in the band Flipper for a UK/Ireland tour and several US shows.[52]

Novoselic also became a political activist, founding the political action committee JAMPAC to support musicians' rights.[53] In 2004, he released a book titled Of Grunge and Government: Let's Fix This Broken Democracy, which covered his musical past as well as his political endeavors.

Band members

Former members

Touring members

  • Pat Smear – guitar, backing vocals (1993–1994)
  • Lori Goldston – cello (1993–1994)
  • Melora Creager – cello (1994)

Discography

Main article: Nirvana discography

 

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